May 27th : Letting Go


Letting go is what you can live with.
That treshold is different for every seamstress. Mine is pretty high. I like a good finish inside and out. I take great care of finishing every seam, binding everywhere, matching motifs, stripes, plaids, attaching linings. I find that the garment last longer, is more washable and I love to bias bind hems, it's pretty when you sit down.
I am thinking about this because I read Very Purple Person 's blog post this morning about her recent green dress which she calls a fail. The dress is not a fail, I think it's totally wearable, nobody will ever notice the mistake and people are more likely to say, where did you find those green shoes!  But I do understand her, I fuss over my sewing so much.


Case in point, this Ellen Tracy Butterick pattern I made in 2001. Now being wiser, I would notice it doesn't fit the model and stay away from it! Look at those gaping neckline and arms! (And No! I will never ever make plaid pants cut on the bias, this is such a receipe for disaster!)
Of course, I ended up with the same problems, you can see the gaping neckline still, I didn't know how to fix this one back then but I couldn't live with the armholes so I fixed them thus, which is not the way to do it, I know, but the dress was finished, I didn't have a dress form, I still don't have a full length mirror blah blah blah! It works, I could live with that.




But catasrophy, I totally ruined that dress when trimming the waist seam. One should never ever trim anything when tired : I cut a hole in my dress! Could I live with this? 



Well, I did. I glued a tiny bit of fusible interfacing under it, it's partly hidden by the belt and since I made it 9 years ago, only one person remarked the 'hummongous' gash. The general comments are "pretty dress, where did you buy it?". I can live with that.


May 26th : Geoffrey Beene


This Geoffrey Beene dress is another beauty I don't wear often. I don't find it especially flattering on me. But I loved making it, it's expertly cut and the puzzle was difficult to put together, which I like, it made me think. My fabric was stiff enough so I didn't underline, and didn't use the hem facing pieces either, it's tent like enough for me. 


Take a look at the inside zipper hidden in the front pleat, it's so clever! The bust dart were in the cut like the Mondrian, which must have been all new technique back then. If I was to make it again, I'd go for a softer fabric. The pattern is an 8 and I am a 12 and the grading I did on it was empirical at best so I would certainly change that as well.
The Me-Made-May challenge is almost over and one of the thing it has highlighted for me is that I have a propensity to make the pattern exactly like the enveloppe, as seen here, here and here, which raises the question : Why? Don't I have enough imagination?

May 22nd and 24th : Skirts


These are just a couple of skirts, May 22nd is the Nicole Miller I told you about, a tried and true pattern.


And this one is a 15 year old! It's a Modes et Travaux pattern, which I cannot find. If I find it again, I'll post it because it's a 12 piece skirt with godets and it's perfect to go dancing.

May 21st and 23rd : Histoire de robe/Dress History

May 23rd

Toutes mes robes ont une histoire à raconter. Je les ai faites pour une occasion particulière, pour un état d'esprit ou l'apprentissage d'une nouvelle technique de couture, le tissu est spécial (merci encore Suzanne!) ou le patron m'a été offert. En les portant, je retrouve chaque histoire.
Celles-ci, je les ai faites en attendant, une attente longue, difficile et déstabilisante pendant laquelle j'ai beaucoup cousu, un geste salvateur.

May 21st

Every dress I've made has a history. I made them for a special occasion, a mood I was in, to learn a new sewing technique, the fabric is special (thanks Suzanne!) or the pattern was offered. When I put them on, I can relive their histories.
I made these whilst waiting, an extremely long, painful and unsettling waiting period. Salvation came in sewing.



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